Category: Intermediate

May 25, 2013

“Hop and Drop” Using Common Shapes

Beginner guitarists have a major hurdle facing them where it concerns changing chords smoothly and comfortable.

To that end, I’ve developed a few helpful “common” strategies that are outlined in this epic lesson. The first two strategies – common finger and common string – are often easiest to apply. The third strategy, however, usually presents a few coordination issues.

But learning to use the common shape strategy will make life much easier for your average guitar rookie. In a nutshell, we want to recognize the fingers that are configured – or “shaped” – the same way between two chords and maintain that shape as we switch.

[Note: Although I’m presenting this as a beginner lesson, it’s actually a foundation concept that is practiced across all skill levels. Continue reading ““Hop and Drop” Using Common Shapes” »

April 29, 2013

Practice Is Optional: An Open Letter to Guitar Students Everywhere

“Practice, practice, practice!” – every music teacher ever.

“Whatchoo talkin’ ’bout, Willis?” – Arnold Jackson, legendary TV sitcom character, whenever his brother would drop a truth bomb on him .

Dear Guitar Student,

You’ve probably heard that you must practice diligently to become a good musician. This is a time-honored concept that has been drilled into the brains of music students for centuries.

But did you know that practicing is optional?

Really, it is.

This may seem like sacrilege coming from a music teacher, but there is no rule anywhere which states that you have to practice your guitar. Continue reading “Practice Is Optional: An Open Letter to Guitar Students Everywhere” »

March 28, 2013

Moving Past Minor Pentatonic, One Note at a Time

Mark Knopfler

If you’re anything like me – and probably 99% of all other aspiring lead guitarists – you started off jamming with pentatonic scales, specifically the minor pentatonic scale.

It was exciting to learn that only five notes, played in some relatively easy fingerings, were necessary to turn you into a rock guitar superstar. Add in some spicy bends and some slippery slides, and top it off with a few lightning-quick hammer-ons and pull-offs, and you’re in the land of Hendrix, Page and Clapton, not to mention Gibbons, Young, Beck, Knopfler and many more!

But after a while, even the most pentatonic-lovin’ lead guitarist starts to yearn for some new sounds and some new ways to navigate chord changes that are a bit more sophisticated than the same…old…five…notes. I get it.

And that’s why I’ve gathered you all here today. Let’s take a comprehensive look at moving past the minor pentatonic, one note at a time! Continue reading “Moving Past Minor Pentatonic, One Note at a Time” »

February 7, 2013

From Major to Minor

In my series, The Only Theory Lesson You’ll Ever Need, I covered what I consider to be the absolute, must-know info about music theory. All the good stuff, none of the fluff.

In Part 1, we hit all the fundamentals, such as the musical alphabet, whole-step and half-step intervals, and accidentals. In Part 2, we took that information and used it to construct major scales and understand keys. Finally, in Part 3, we learned to harmonize those same major scales with chords. Armed with this information you could rule the world, or at least your garage band.

Seriously though, if you only knew that much, you’d know more than most guitarists and be able to understand the nuts and bolts of music at a much more satisfactory (to yourself) level.

But the shiny, happy do-re-mi of the major scale is not all there is to music – just ask Yngwie. Sometimes you need a tune that’s moody, dark, sad, even eerie. Those moments require a heaping dose of the minor scale. Continue reading “From Major to Minor” »

January 28, 2013

Guitarist, Know Thy Notes: A “How To” Guide to Mastering the Fretboard, Part 2

In our first installment of Guitarist, Know Thy Notes, we covered the all the basics of fretboard organization.

To recap, we started out with a comprehensive review of basic theory, including the musical alphabet, whole steps versus half-steps and accidentals. We also covered the names of the open strings and learned to name the notes along each string, using the fret markers to aid us.

It’s all critical and fundamental information, for sure. But in terms of understanding the fretboard at a pro level, the major takeaway point of that first lesson was the importance of learning the notes on strings 6 and 5 first. This is because those strings provide the starting point from which we can learn notes across the strings.

Being able to navigate the notes across the strings, rather than just along the strings, will enhance our sense of fretboard organization and make us much efficient at finding any note we wish. In Part 2 of our series, we’ll learn how octaves can help us to do just that. Let’s rock, y’all… Continue reading “Guitarist, Know Thy Notes: A “How To” Guide to Mastering the Fretboard, Part 2” »

January 22, 2013

Guitarist, Know Thy Notes: A “How To” Guide to Mastering the Fretboard, Part 1

fretboard

If you asked me to name the single most common problem among guitar students, I wouldn’t hesitate for a second.

After all, I see it every day in my own studio. I also struggled with the same issue myself for a number of years. And if the conversations on the online forums are any indication, it’s the same problem that guitarists seem to have the world over:

Guitar players, as a rule, don’t know the notes on the guitar!

Sound familiar?

This is virtually unheard of on most other instruments, but there’s a good reason why mastering the fretboard is so frustrating for guitarists: It’s extremely complex.

The complexity lies in the layout. And the number of frets. And the tuning of the strings. And the multiple ways you can accomplish the same thing. And the layout. And the…well, you get the idea.

If you’re having trouble navigating the notes on your guitar – if you look at the neck and see a blur of random frets – you are not alone! As a matter of fact, it’s a rarity when I encounter guitar students who can confidently name any note on sight, even when they have some years of playing behind them.

Here’s the cold, hard truth: you will NEVER reach your full potential as a guitarist without being able to unlock the mysteries of the fretboard. But the good news is, the fretboard holds no real “mysteries”. There are strategies to simplifying it and shortcuts we can use. These strategies must be applied consistently, however, to achieve the desired results. And I’m here to tell you that the desired result – fretboard mastery – is a beautiful and empowering thing indeed. Continue reading “Guitarist, Know Thy Notes: A “How To” Guide to Mastering the Fretboard, Part 1” »

Jim Bowley is a well-known Bel Air, Maryland based guitar instructor. Jim is respected throughout Harford County, and the MD/DC/PA region, for his guitar teaching technique of tailoring instruction for each student’s skill level — he gives lessons to beginner, intermediate and advanced adults and children.

© 2012 Jim Bowley All rights reserved.
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